Wednesday, April 29, 2009
A New Way to Learn by Encouraging Cognitive Development
This is an exciting time for the field of education. Over the past two decades we have witnessed an explosive growth in information. The amount of new technical information is doubling every two years. We are currently preparing students for jobs that don't yet exist and to use technologies that haven't been invented. Finally, we are starting to see educational techniques that are catching up to this new wealth of knowledge and Scientific Learning is leading the charge.
What does this all mean? Well for starters it means that every child should focus on the core cognitive skills that enable them to develop a more efficient brain. It means thinking about the brain as a muscle that must be exercised on a consistent basis and how “brain plasticity” can help a child to learn more efficiently. It means that we must think beyond preparing students to be great test takers and instead prepare them to be great thinkers and creative problem solvers.
On April 25th, “The New Science of Learning: Brain Fitness for Kids” will air locally on KQED Public Television 9 at 7 p.m. For more on the advances being made in brain plasticity (check it out at BrainFitnessforKids.com). The approach is a refreshing new way to look at educational development. Education is about problem solving, innovation and creativity, yet we don't have methodologies to teach children these skills. We can, however, train the brain to process information the same way we train legs to run a race or fingers to play the piano. We can create actual physical changes in the brain that result in quick and substantial gains in language and reading skills by improving cognitive skills.
The program features the latest information from scientists and researchers around the country. The program also features science and technology from Scientific Learning (www.scilearn.com), including the newly launched BrainSpark Learning consumer offering. Scientific Learning has engineered products based on more than 30 years of research on how the brain learns. Their BrainSpark online learning programs were created from the Fast ForWord® family of products, which have been used in more than 5,200 schools across the country. Designed for children ages 5 to 13, the BrainSpark exercises are designed to produce lasting improvements in brain fitness, focusing on five cognitive building blocks critical to learning success: speed, processing rate, attention, recall and memory, and knowledge (SPARK).
The BrainSpark Learning software accelerates learning by developing the child’s brain to process more efficiently. These products are designed to be fun and engaging and are intended to be used 30 minutes a day, five days a week. The software is designed to provide feedback and put parents in control of the child's learning. The BrainSpark product is a tool for supporting and motivating children to reach their full potential while creating a foundation for a better mind.
Thursday, April 9, 2009
Musical Success In A Post Record Label World
Trent Reznor of NIN talks about monetizing creativity as a musician post record label.
Monday, April 6, 2009
Pyschology of Connection
The psychology of buying fascinates me, especially when it's based on making connections through touch. Our curiosity might get us in trouble but just think about all those connections we're making.I grew up with family members who shopped as a hobby and realize how shopping is ingrained in our culture. Like it or not, it's how some of us find satisfaction, occupy our time and fund other parts of our culture. My father and I always laughed at our efforts to outsmart commercials and long before DVR we would talk about how the mute button was destroying advertising. How ironic now that I'm a brand strategist. It's even a little sad that now I'm blogging about my favorite spots. My only hope is that I can evolve what used to bore me. If advertising is here to stay, why not design stories that are engaging and entertaining. With that in mind here are a few ways to communicate better.
This article in Time discusses how touching an object creates a relationship and makes you more likely to buy it. The phenomenon is based on research of the "endowment effect", which states that owning an object creates more value in the mind of a consumer. This is based on the premise that touching an object makes you feel more connected to it. This segues nicely into another article, designing to sell, which lists successful user experience techniques. More specifically they talk about trials as some of the best strategies to lure customers. In an online world we can't always touch a product but we can create an experience that is as close to touching it as possible.
As online selling continues to evolve I think we're going to start seeing techniques for developing a connection. Right now that may mean more pictures, or techniques to create a deeper level of engagement and interaction. In the future it may mean using a holographic projector create a 3 dimensional replica on your desk. It would be great to experience a product by visualizing it as if it really existed
Monday, March 16, 2009
Embracing Your Brand
If you're a green company that is some how involved with the sustainability movement it's important that your behavior is as green as possible, right? Well a company called Nothing just upped the ante. They've created their entire office out of cardboard. There was a tremendous amount of design that was required because it's extremely asthetic, but an investment well worth it when it comes to proving you're dedication is 100%
Wednesday, March 11, 2009
In the World of Art, How Do We Determine Who Has Skill?
Yesterday I came across this loosely written article about How Art Killed Our Culture. I found the comments to be more enlightening than the article itself, but the most interesting thought was one that surfaced around the idea of post-capitalist art. It raised an interesting question, which is how has pop art been a part of the art movement?Some have questioned the talent required to produce art created by artists like Worhol and Matthew Barney. It can be debated whether culture reflects art or if art reflects culture, which led me to wonder if a lack of innovation and creativity in society is reflected in the past decade of art. I've been confused by works in the MoMa like foam sprayed on a wall or drawings Barney has done while suspended by a harness. I appreciate abstract art and I want it to push boundries, but I also want art featured in a museum to showcase talent, thought, hardwork and skill. It's no wonder our generation has such an infatuation with Banksy; he not only creates thoughtful works that challenge decisions in society, but I also seldom hear someone comment "I could have done that," when looking at his art.
My relationship with art has been an entertaining one. I was elected into the art enrichment program when I was in elementary school for my clayworking. Early on in college many of my peers were appreciative of my crafty skills that yielded free pizzas & "safe passage." I was surprised that so many people couldn't use scissors to cut a straight line. Later in college, after taking a few drawing & digital art classes I began concepting with Photoshop. After graduating I created sculptures and experimented with mixed media painting. Then I shifted to film with the advent of cheap cameras and software like Final Cut. Although I've loved producing work outside the realm of traditional art, a good portion of what I've created has come from skills that I've honed through the years. Most recently I've worked in the field of engineering and have realized how my creativity translates from art to building. This is my journey through the world of art and despite my dedication my art isn't in a museum; and rightfully so, for the same reason I'm not a pro cyclist competing in the tour de France. I guess my reason for this post is to question how we determine that an artist is truly talented. The line seems to be clear in business and athletics, but what about art?
Tuesday, March 10, 2009
Monitoring your Carbon Footprint
I just took my friend Reid's survey about climate control. It got me thinking about how my behavior affects global warming and what I am or can do about it. Shortly after I came across this report by KQED on how children are using their cellphone to monitor their carbon footprint.I think it's a great idea because it engages younger audiences with the intention of making an impression about the perils of global warming. More importantly it empowers children and sets them down a path that seeks to change antiquated behavior.
Tuesday, March 3, 2009
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